A person stands beside a pavement painting of towering library shelves, appearing to reach into the painted space.
Look closely. Let the image settle.
Illusions in painting / See source article for historical dates

Bookworm

Score 0

You should have the visual experience of a man reaching down to get a book from a librarian. However, although the man reaching down is real, the library and the librarian are just a cleverly constructed 2D drawings on the pavement.

TRY THIS

Look at the picture. What do you see?

FOLLOW THE SOURCES

History, evidence & image credit

THE IMAGE IN THIS ARCHIVE

http://www.klassiko.de/?p=718

Original file & attribution · Gregor Wosik (2015)

Image downloaded unchanged from The Illusions Index’s media host. Media license labels are reproduced from the source article; an unspecified license version is not inferred. Gallery previews may be resized or converted to WebP; animated previews show the first frame.

Download image
FROM THE ILLUSIONS INDEX

Bookworm

Morales, R. and Macpherson, F. (July 2017), "Bookworm" in F. Macpherson (ed.), The Illusions Index. Retrieved from https://www.illusionsindex.org/i/bookworm.

Article text: CC BY-NC-SA 4.0. Reproduced here with adapted paragraph formatting. Original authors, editor and website are credited above. Media has its own terms.

Read the full article, references & additional images

Instructions

Look at the picture. What do you see?

Effect

You should have the visual experience of a man reaching down to get a book from a librarian. However, although the man reaching down is real, the library and the librarian are just a cleverly constructed 2D drawings on the pavement.

Illusion credit

Gregor Wosik (1955 –), a Polish street artist

The Bookworm street art illusion was created by Gregor Wosik (1955 –), a Polish street artist who presented his artwork in Mönchengladbach Rheydt, Germany in December 2015 (see Wosik).

Bookworm is one among a large number of anamorphic illusions in which a cleverly constructed two-dimensional painting looks like a three-dimensional object either when seen from the right angle (in perspective forms of anamorphism) or when viewed with a mirror in the right location (in mirror forms of anamorphism).

A famous early example is found in Hans Holbein the Younger’s The Ambassadors. When viewed from the bottom right, the otherwise distorted image in the bottom of the picture reveals itself to be a skull.

When viewed from the right perspective, the distorted skull in the middle should look like this This video from “brusspup” shows how powerful anamorphic images can be:

Video demonstration in the player above.

You can download and print out some of the images used in the video to re-create the effect for yourself. (See below.)

Perspective forms of anamorphic images are usually forms of ambiguous figure because while one can be fooled and experience the anamorphic images as 3-D objects, one can also often see them as distorted 2-D images. Unlike ordinary ambiguous, such as the duck-rabbit that you can see on the Illusions index, perspective anamorphic images require that you see the image from a particular angle.

The mirror form of anamorphic images has been explored extensively by artist István Orosz. Two examples of his are below. The second example is his most famous work, called Mysterious Island. A picture of author Jules Verne emerges when a cylindrical mirror is placed in the right location.Anamorphic images beautifully illustrate the fact that the light that falls on our retina, and the subsequent visual experience that you have, could be produced by a large number of different arrangements of objects and properties in the world in front of you. Both a 3-D object and a 2-D image can cause the same light to fall on your retina, which can then cause the same experience. When we look at ambiguous figures, our experience can flip and we can have an experience of two seemingly different things. In the case of anamorphic images, we can experience at different times an apparent 3-D object (which the anamorphic images fool us into having) and what is really there (the 2-D picture).

Anamorphic images also raise the philosophical question of whether we ever really directly see the way that the world is, or if we only really see an image or representation of the world that is generated in our mind (a sense-datum). See Crane & French (2016) for discussion of sense-data and related issues.

Below are a couple of anamorphic images that you might want to print out to recreate the effect in the video above.

References

Crane, T., and French, C., 2016. The Problem of Perception. In: Zalta, E. N., ed. The Stanford Encyclopedia of Philosophy. Metaphysics Research Lab, CSLI, Stanford University.

Wosik, G. Gregor Wosik. Available online: http://www.klassiko.de/

Wosik, G. (2015). Bookworm [Photograph]. Available online: http://www.klassiko.de/?p=718

Article links

Additional images & credits

Images and audio are stored on this website. Source media credits and license labels are reproduced as supplied; an author credit alone does not grant a reuse license.

A person stands beside a pavement painting of towering library shelves, appearing to reach into the painted space.

A person stands beside a pavement painting of towering library shelves, appearing to reach into the painted space.

One could experience this image as depicting either a 2D or 3D object.

Source license / credit label: Gregor Wosik (2015).

Source credit: http://www.klassiko.de/?p=718.

Download unchanged image

The Ambassadors by Holbein, with two men, scientific instruments and a stretched skull on the floor.

The Ambassadors by Holbein, with two men, scientific instruments and a stretched skull on the floor.

Image courtesy of the National Gallery under a Creative Commons licence

Source license / credit label: Not specified for this media item.

Source credit: Gregor Wosik (1955 –), a Polish street artist.

Download unchanged image

The anamorphic skull from The Ambassadors shown from its revealing oblique viewpoint.

The anamorphic skull from The Ambassadors shown from its revealing oblique viewpoint.

Source license / credit label: Not specified for this media item.

Source credit: Gregor Wosik (1955 –), a Polish street artist.

Download unchanged image

A reflective cylinder stands on a distorted decorative drawing and reconstructs the image in its curved reflection.

A reflective cylinder stands on a distorted decorative drawing and reconstructs the image in its curved reflection.

Source license / credit label: Not specified for this media item.

Source credit: Gregor Wosik (1955 –), a Polish street artist.

Download unchanged image

A reflective cylinder on a distorted mountain landscape reconstructs part of the scene on its curved surface.

A reflective cylinder on a distorted mountain landscape reconstructs part of the scene on its curved surface.

Source license / credit label: Not specified for this media item.

Source credit: Gregor Wosik (1955 –), a Polish street artist.

Download unchanged image

A multicoloured puzzle cube viewed so that its perspective makes the upper face appear to project upwards.

A multicoloured puzzle cube viewed so that its perspective makes the upper face appear to project upwards.

Source license / credit label: Not specified for this media item.

Source credit: Gregor Wosik (1955 –), a Polish street artist.

Download unchanged image

A blue roll of tape casts a shadow on a white surface.

A blue roll of tape casts a shadow on a white surface.

Source license / credit label: Not specified for this media item.

Source credit: Gregor Wosik (1955 –), a Polish street artist.

Download unchanged image

Frequently asked questions

What is Bookworm?

You should have the visual experience of a man reaching down to get a book from a librarian. However, although the man reaching down is real, the library and the librarian are just a cleverly constructed 2D drawings on the pavement.

What should I look for in Bookworm?

Look at the picture. What do you see?

What explains Bookworm?

You should have the visual experience of a man reaching down to get a book from a librarian. However, although the man reaching down is real, the library and the librarian are just a cleverly constructed 2D drawings on the pavement.

A person stands beside a pavement painting of towering library shelves, appearing to reach into the painted space.

Bookworm